A Tiffany lamp? – How Clara is that?

American artist and decorative arts designer, Louis Comfort Tiffany was born 166 years ago on February 18, 1848. A member of the Art Nouveau and Aesthetic art movements, he was best known for his design work in stained glass including windows, lamps, glass mosaics, blown glass, ceramics, jewelry, enamel and metalwork.  His glass-making interests began around 1875,when he worked in several glass-houses around the Brooklyn area. Four years later, in 1879, as a member of the Associated Artists collective, he joined forces with Samuel Colman, Lockwood de Forest and Candace Wheeler to form Louis Comfort Tiffany and Associated American Artists.

A desire to concentrate on glass-making saw the dissolvement of this company. Tiffany then began to specialize in using opalescent glass in a variety of colors and textures to create a unique style of stained glass. He later formed his own firm, the Tiffany Glass Company, which after various iterations became Tiffany Glass Furnaces, which by then was operated out of New York.

Tiffany’s first commercially produced lamps date from around 1895.  Recent scholarship led by Professor Martin Eidelberg suggests that a team of female designers led by Clara Driscoll played a big role in designing many of the floral patterns on the famous Tiffany lamp.

  • Featured above is an example of a Tiffany spiderweb leaded glass lampshade with wheat-stalks and leaves; on a mosaic of glass tesserae, over a bronze oil-can base.

For further examples of Glass items see my page on glass within the Decorative Arts section.

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The Burgeon of Burton’s Burden

Frederic William BurtonThe Painting: “The Meeting on the Turret Stairs,”   watercolour on paper, (1864)  is held by the National Gallery of Ireland, in Dublin. The artwork is based on the tragic tale of Hellelil and Hildebrand, who dared to fall in love despite their different social positions. She was a princess and he was one of her father’s common soldiers. The couple suffer the inevitable fate of defiant youth in medieval romances. Hildebrand is sentenced to death and meets Hellelil for their last brief encounter before his sentence is carried out.

About the Artist: Sir Frederic William Burton was born on 8th April 1816 at Corofin House, County Clare, in Ireland.  At the age of 16 he was accepted into the Royal Hibernian Academy and by the 1840s was considered the most important painter in Ireland. During the famine years he traveled to Germany and by 1855 had moved to London.

In 1874, he became the third director of the National Gallery.  During his directorship he managed to successfully negotiate a special grant to acquire the art collection of Alexander Barker, which included Piero della Francesca’s, Nativity and Botticelli’s Venus and Mars. According to Wikipedia, during his post as Director, he was responsible for many important purchases, amongst them: Leonardo da Vinci’s Virgin of the Rocks, Raphael’s Ansidei Madonna, Anthony van Dyck’s equestrian portrait of Charles I, Hans Holbein the Younger’s Ambassadors; and the Admiral Pulido Pareja, by Diego Velázquez (which was subsequently attributed to Velázquez’s assistant Juan Bautista Martínez del Mazo).  Although Burton died in London on 16 March 1900, he was buried in Mount Jerome Cemetery in Dublin.

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Plenty of Sax appeal here

sax rohmer fu man chu stories Arthur Henry Sarsfield Ward was born to a working-class Irish Catholic family on 15th February, 1883, in Birmingham, U.K. More commonly known as the British novelist, “Sax Rohmer“, he created the evil ‘Dr. Fu Manchu‘, who featured in a variety of stories. It is rumored that Rohmer belonged to the Hermetic Order of the Golden Dawn, as well as being a member of the Rosicrucians; however confirmation of this is unsure and there is a suggestion that he may have boasted about these  activities in order to increase his literary reputation as an occult writer. The illustrative header for this post is by R.W. Southurst, for the paperback cover from the “The Mystery of Dr. Fu Manchu”, (1960).

The inset for this post is from Sax Rohmer’s novel, “Sinister Madonna,” which features, Sumuru: a female variation on Fu Manchu. (The Sumuru series consisted of five books). “Sinister Madonna’s,” cover is by Charles Ashford Binger; a British-born painter and commercial artist who found some success in Hollywood illustrating film posters and pulp novel covers over a period stretching from the 1920s to the 1970’s.  Other notable covers by Binger include:  “The Illustrated Man”  and a couple of Marilyn Monroe film posters – “Niagara,” and “River of No Return.”

As a ‘har’-Binger for pulp fiction sales – Who said – Sax never sells?

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RePeat gets a second Haring

  • Both of these street art pieces are of the late Keith Haring  who was born in Reading, Pennsylvania on May 4th, 1958. The street artist responsible for these pieces is Peat Woellager from St. Louis. So who exactly are Peat and Haring and what is the connection?

Keith Allen Haring was an artist and social activist whose work responded to the New York street culture of the 1980s using the concepts of birth, death, sexuality and war. He started off studying commercial art from 1976-1978 at Pittsburgh’s Ivy School of Professional Art. At the age of 19, in 1978, Haring moved to New York and inspired by the graffiti art scene, he enrolled in Manhattan’s School of Visual Arts where he majored in Painting. Unfortunately in 1988, Haring was diagnosed with AIDS. He established the Keith Haring Foundation in 1989, its mandate being to provide funding and imagery to AIDS organizations and children’s programs.  He lost his courageous battle 24 years ago, on February 16, 1990.

  • Examples of Haring’s work is on display in collections, such as the Museum of Modern Art, Whitney Museum of American Art, Los Angeles,  County Museum of Art,  Art Institute of Chicago, the Bass Museum Miami, Centre Georges Pompidou Paris, Ludwig Museum Cologne, and the Stedelijk Museum, Amsterdam.

Street artist Peat Wollaeger aka Eyez, stenSOUL and Mr. Peat, is known for his colorful stencil portraits and large scale murals. A man from St. Louis, Wollaeger, who is entirely self-taught, initially began stenciling. He is quoted as saying: “I don’t know exactly how to define the word ‘soul,’ but I know that we all have one. Even if we don’t know we have one.”

In 2008,  in Miami’s Wynnwood Walls neighborhood, Wollaeger created a large portrait of his idol, Keith Haring. Both of these examples are of Wollaeger’s reverence to Haring.

I’ll leave you with a little thought-provoker: “So, if the the “Eyez” are windows to your SOUL…Open Yours!”

You can follow Peat Wolleager via Facebook or his website.

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“Live work & play” = “Work. Administration. Celebration”.

Henrik SorensenHenrik Sørensen was a Norwegian painter born on 12th February, 1882, in Fryksände, Sweden. Sørensen studied drawing at the Norwegian National Academy of Craft and Art Industry in Kristiania during 1904 and after a two-year hiatus, again from 1906 to 1908. During his 2 years away from Kristiania, he studied with Kristian Zahrtmann in Copenhagen (1904-1905), and became fascinated by the French impressionists while studying at the art school Académie Colarossi in Paris during the autumn of 1905.

For two years post 1908, he studied painting with Henri Matisse in Paris and it was during this time that his first major success was with his painting Svartbækken. Two years later Prince Eugén, Duke of Närke, an avid art collector, purchased Sørensen’s Varietéartist. Examples of Sørensen’s work is on display in various Scandinavian museums as well as the National Gallery of Norway.

  • He was also commissioned to decorate the large back wall in the Great Hall of the Oslo City Hall aka Oslo rådhus. (see featured artwork entitled ‘Work. Administration. Celebration’).
  • The Great Hall serves as the venue for major functions, including the Nobel Peace Prize award ceremony.
  • Later on, Sørensen became a book illustrator; and
  • One of his paintings was used on the Norwegian 10 Kroner notes from 1954-1973.
  • Sørensen died 12 days after his 80th birthday on the 24th February, 1962.
  • May his epitaph read  “Work. Administration. Celebration“, or in my words, “Live, Work & Play.”… or maybe it represents today’s modern term of “work/life balance” –  you be the judge.

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I heard the mermaid singing…

John William Waterhouse died 97 years ago on 10th February 1917. He was an important  English “Modern Pre-Raphaelite artist“. displaying similar style and techniques used by both the Pre-Raphaelistic and Impressionist Movements.  His fondness was for painting women of either ancient Greek mythology or from the Arthurian legend.

Born in 1849 in Rome, to English parents who were both painters. The family returned to England in 1954, settling in South Kensington, London. In 1871, Waterhouse enrolled in the Royal Academy of Art, initially to study sculpture, before moving on to painting.

  • The piece featured here is entitled: “A Mermaid” (1901) and was originally intended to be shown at the Academy as a Diploma work in 1894  but took many years to complete. According to Wikipedia, After this, the painting was lost until the 20th century, and is now displayed in the collection of Lord Lloyd-Webber.

His untimely death occurred in 1915 and he is buried at Kensal Green Cemetery in London. Waterhouse’s works on display at several major British art galleries, and the Royal Academy of Art organised a major retrospective of his work in 2009.

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Source: Phillpotts, Beatrice. Mermaids. Ballantine, New York. 1980
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Sent by Satan and Tormented by Demons

eisenheim altarThe Isenheim Altar is an altarpiece sculpted and painted by Niclaus of Haguenau and Matthias Grünewald (both from Germany) over 500 years ago, between 1512–1516.  These days the altarpiece is on display at the Unterlinden Museum at Colmar, in the French area of Alsace.  This large work was painted for the Monastery of St. Anthony in Isenheim near Colmar, which specialized in hospital work. The Antonine monks were noted for their care of plague sufferers as well as their treatment of skin diseases, such as ergotism (aka St. Anthony’s Fire).

The altarpiece has two sets of wings, displaying three configurations:

1. Wings closed: With the exception of certain Holy days, the wings of the altarpiece were kept closed displaying The Crucifixion framed on the left by the martyrdom of St. Sebastian and on the right St. Anthony.

2. Outer wings opened: The outer wings were opened for important festivals of the liturgical year, particularly those in honour of the Virgin Mary.

3. Inner wings opened: There are three sections in the Inner wing. When the inner wings were open, pilgrims and the afflicted could venerate St. Anthony, protector and healer of afflictions such as ergotism  (aka St. Anthony’s fire, shingles, etc).

  • The first is a depiction of the 12 Apostles and other Saints which was painted by Niclaus of Haguenau.
  • The second portrays the Visit of St. Anthony to St. Paul the Hermit – which was painted by Grünewald.
  • The third (featured above) is entitled, “St. Anthony Tormented by Demons” which are done so by monstrous creatures sent by Satan.

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Magpie Magpie

magpie magpie childrens bookMagpie, Magpie! (Translated from the Russian Folk Rhyme) is a story by Irina Zheleznova and illustrated by Y. Vasnetsov. I cannot find anything about the illustrator but the pictures are fantastic. The story goes: “Magpie Magpie tell me, pray where have you been? Far away! I made a fire, and I cooked some mush, I called to my friends and they came at a rush! A hungry brood, by my porch they stood. The squirrel got some mush and so did the hare, the duck and the owl each got a share. But one poor little soul got none at all. He had fetched no water, he had chopped no wood, he had made no fire, He had cooked no food. Shoo! And away they flew. They pecked no bread – they perched on your head, and wherever they went – from west to east – they told their friends of the Magpie’s feast”.

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View at your Léger

The French painter, sculptor and film-maker Fernand Léger was born in Argentan, Normandy, France, 133 years ago on February 4th, 1881. Regarded as the forerunner of the Pop Art movement, Léger had been developing his own form of Cubism, which he modified into a figurative style.  Originally trained as an architect, he became a student at the School of Decorative Arts (Paris).  According to WikiPaintings Léger moved to Montparnasse in 1909 and met avant-garde movement leaders such as Lipchitz and Chagall and later formed the Section D’Or group who produced the Salon des Independants. Whilst in the army during WW1, Léger drew sketches of artillery and military equipment, which inspired his 1920’s “mechanical period,” in which he painted tubular and machine-like forms such as this detail from his 1924 oil on canvas “Mechanical Elements” (Musee National Fernand Léger  at Biot, France).

  • Not just a painter, he also did book illustrations, murals, stained glass windows, mosaics, and ceramic sculptures. Ninety years ago, Léger was responsible for designing this costume for a bird in Jean Barlin’s La Creation du Monde for Rolf de Maré’s 1923 Ballets Suédois (music by Darius Milhaud).
  • It was not until 1931, that Léger made his first visit to the United States. In 1935, the Museum of Modern Art in New York held an exhibition of his work and three years later Léger was commissioned to decorate Nelson Rockefeller’s apartment.

By 1954, Léger began his ill-fated mosaic art project for the São Paulo Opera, which he could not finish due to his ill-health. He died at home on August 17, 1955 and is buried in Gif-sur-Yvette, Essonne, France.

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Compare the Pair #9 – What the stuff?

This first bag of chaff sits in an art gallery – the wonderful National Gallery of Victoria. It is called “Art Stuffing” (1970) , an installation by conceptual artist, Aleks Danko, born in 1950. It is a hessian bag stuffed with paper and contains enamel paint. According to the description at the gallery, “Art Stuffing” suggests a link to the French Dada artist Marcel Duchamp and his ‘hyper-alertness’ towards issues of artistic style and authorship; the production of art as a commodity and its social use as a form of cultural capital. This work focuses on the economy of the museum, and the establishment, conservation and breakdown of both cultural value and the identity of the individual artist in a deliberately rough-hewn (read “hessian bag”) way. “Art stuffing” expresses Danko’s fascination with the complexity of transactions and the transference of value.

The second bag is a hessian bag, but this one is not full of chaff. It is full of coffee beans – Arabica beans from Papua New Guinea. This proudly sits in the front window of a coffee shop and therefore, would not be considered as an art piece  – unless you are an aficionado of Arabica beans. So, in comparison, I asked myself, what do they have in common? ergo I concur:

  • Both are on display;
  • Both can represent ‘hyper-alertness’ (if you drink enough coffee);
  • Both are used as a commodity and their social use is a form of cultural capital;
  • Both can have a complexity of transactions and the transference of value (i.e. the price of coffee in some countries can be way more expensive than others); and
  • Both bags on display are undeniably stuffed.

I should also mention that, Danko has evolved Duchamp’s strategy of “word, object, play, pun, satire” and here, I have tried to do the same. But, alternatively you might just think that I know ‘stuff all‘ about art.

  • By the way, the banner is also by Aleks and entitled “Taste”. (Arabica beans maybe?)

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Respect! Who said there is no longevity in street art?

Mic PorterMic Porter (born 1983) was one of my first big head-turners in street art. In the past he has produced some mind-blowing street art of epic proportion, which is still viewable and untouched. Most of his work is only visible to those who travel on the train and tram networks around Melbourne.

Like many street artists, Mic started tagging and producing quick throw-ups before he began to expand into producing epic pieces. During his career as a street artist he has attended art school,  collected rubbish (is that being a garbologist?), and indulged in a little dumpster-diving.

He is mindful of his health these days. As a youngster he has been known to indulge in a little chroming as well as ingesting the occasional spray can fumes, which over a period of time can take its toll on one’s life-bearing organs. However, these days working in a foundry whilst bronzing, Mic is known to take precautions and wear a mask.

Many of his works still stand the time which is a major feat for any street art which can often suffer a very quick and transient life.

Mic Porter trioAs an example, this header and shown above is from a Collingwood installation which has run since 2007 and the other (upper left corner) has run for nearly 9 years around St.Kilda.

The fact that they are still there and have not been dissed is a marvel and an exception to most rules – Now that’s what I call respect!

For examples of other street art, see my Street Artists page.

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I took my harp to the party, but I didn’t know the outcome

Daniel R.A. Maclise was born 108 years ago in Cork, Ireland, on 25th January 1806. He went to the Cork School of Art and after graduation spent most of his life as a painter and illustrator working in England, after his arrival in July 1827. It was here that he entered the Royal Academy and the following year he was awarded one of the highest prizes open to students. He became good friends with fellow Irishman Thomas Moore. One of his most famous is entitled “The Origin of the Harp” (1842). The exhibition included Moore’s description:

“Still her bosom rose fair – still her cheek smiled the same,
While her sea beauties curl’d round the frame;
And her hair, shedding tear drops from all its bright rings,
Fell over her white arms to make the gold strings”.

It depicts, the tale of a sea siren, weeping for her spurned lover. As a consequence, she is turned into a harp by the heavens. Maclise’s eroticisation of the story drew some comment. The model for the work is still not confirmed but perhaps known to both Maclise and Moore. At the time of the exhibition, a reviewer found the “siren” to be ‘a trifle too full in her form, and too rosy in her cheek.’  Unfortunately, although this artwork belongs to the City of Manchester Art Gallery, it is no longer on display.

I cannot see any reason to remove its presence, but also wonder about the ‘harp’ interpretation of this piece. It makes me reminisce about the old Gracie Fields hit “I took my harp to the party but no one asked me to play”, which interpretively means, someone who is prepared to do something; but is not  given the opportunity to do so; which seems a bit like Maclise’s problem  with this painting where his sirens are no longer on display!

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A Riverside Picnic needs a crate of champagne

Harold PiffardThis is a detail from the painting “A Riverside Picnic,” by Harold Piffard and has been used as a front cover of D.H. Lawrence’s “The Rainbow” (Wordsworth Classics edition). They claim the image is courtesy of the Fine Art Photographic Library, London.

Harold Hume Piffard (1867 – 1938), an Indian born artist
was educated in England at Lancing College on the South coast. On leaving Lancing in 1883 he returned to India for a while  and worked on a Darjeeling tea plantation. He returned to England to pursue a career in theater and also joined an acrobatic troop.

Once again he traveled back to India in 1889, but that sojourn was short-lived and he returned to England once more. It was during this period that he entered the Royal Academy of Arts as a student. He became a successful portrait painter and he exhibited:

  • four works at the Royal Academy;
  • two works at the Royal Society of Artists in Birmingham; and
  • several works in Liverpool.

However, his talents did not stop there. Known as “Piff” to his friends, he became fascinated with aviation, showing an interest in designing and constructing model aeroplanes. It was at this point in 1910, that he built “Hummingbird,” a boxkite bi-plane.

Folklore relating to his aviation attempts suggests that he won a bet made with the landlord from a local pub.  The challenge was to fly his aeroplane over to collect the prize – a crate of champagne. The flight lasted 40 seconds but the turn he had to make to get back to his shed took him almost an hour and a half as there was no suitable ground to get a proper run for his return.

I bet he was truly “Piffed off“.

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Does anyone fantasy Gandalf?

The  brothers Hildebrandt were a formidable force in science fiction and fantasy art drawing. Twins, Greg and Tim were born on January 23rd, 1939, in Detroit, Michigan.  They began painting professionally in 1959 and since then, have produced illustrations for comic and children’s books, movie posters, novels, calendars, advertisements and trading cards. They are best known for their The Lord of the Rings calendar illustrations (1978) (see this header Gandalf ; and the first bilingual Star Wars film poster. On the upper left we have Dream Two (1974) by Greg, who is celebrating his 75th birthday.

Unfortunately, Tim died aged 67, on June 11, 2006, in New Brunswick, New Jersey, due to diabetes complications. (The image on the left is entitled Flagface by Tim). By keeping the brothers artistic journey alive, Greg has subsequently received the Chesley Award for Lifetime Artistic Achievement, in 2010.

  • If you think the guy in the glasses by Greg, looks a bit similar, you might like to compare this with my earlier post. Cool shades guys!

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City Lights horse by Cezary Stulgis

cezany stilgisLong gone but a great example of street art on Hosier Lane was this piece by Cezary Stulgis, from 2011 – entitled City Lights. It was approx. 800m x 280cm  and the media used was acrylic spray paint.

  • Stulgis was born in Poland and is an accomplished painter, sculptor, street and public artist, whose distinctive work fuses in his terms ‘next-level aesthetics with classical craftsmanship.‘  His involvement in the street art movement stems back over 25 years and he studied art (sculpture and painting) at the Jan Matejko Academy of Fine Arts in Poland.

For more information about Stulgis’ art and exhibitions, see his website which also includes videos. For further examples of street art – see my Street Artists page.

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