Braque it to me gently

Georges Braque was born on 13 May, 1882, in Argenteuil, Val-d’Ois and was raised in  Le Havre.  Like his father and grandfather, he had been trained to be a house painter and decorator. Unsatisfied with this, (between 1897-1899), Braques switched to studying artistic painting during the evenings at the École des Beaux-Arts, in Le Havre,

Braque is considered to be a major French 20th-Century Fauvist and Cubist artist, collagist, draughtsman, print-maker and sculptor. By 1905, he discovered and interpretted the new artistic style of the “Fauves” (“aka Beasts”) who were known for their use of brilliant colors to represent emotional response. Other Fauvist artists of the time included Henri Matisse and André Derain.

Later, Braque turned to Cubism with his love of geometry and simultaneous perspective displayed through art. He shared this love of Cubist form with Pablo Picasso. Both Braque and Picasso produced many paintings of mono- chromatic color and complex patterns of faceted forms of Cubist art which is now termed as “Analytic Cubism“. By 1912, both Braque and Picasso  began to experiment with collage and Braque invented the papier collé technique.

Braque enlisted with the French Army, in 1914, during World War I and by May 1915,  during the battle of Carency, he suffered  from temporary blindness, as a consequence of injury during the battle. Braque died on 31 August, 1963 in Paris. He is buried in the cemetery of the Church of St. Valery in Varengeville-sur-Mer, Normandy whose windows were designed by Braque.

[Georges Braque | The Billiard Table (1945) oil on canvas 130 x 194cm School of Paris, Musee D’Art Moderne, Paris]

[Georges Braque | The Duet (1937) Oil on canvas 130 x 160 cm School of Paris, Musee D’Art Moderne, Paris]

[Georges Braque | Composition with Ace of Clubs oil, gouache and charcoal on canvas. 80 x 59cm. School of Paris, Musee D’Art Moderne, Paris]

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The Unconditional Love for Pavlov’s Dog

Robert Vernon - Pampered Menial - Pavlov's DogSo who remembers the 1975 Pavlov’s Dog album – Pampered Menial ?

Pavlov’s Dog was a prog rock (progressive rock) band and according to Mojo Classic (Special Edition) magazine: Pink Floyd & the Story of Prog Rock, classic rankings: Pavlov’s Dog “Pampered Menial” album came in at #26 in the  “Top 40 Cosmic Rock Albums of All Times.”

But what of the artwork of the album cover, with the dog sitting tethered to the wall? Well, it turns out that it was not an original sleeve design drawing but one from what would now be considered a drawing from an artist who died 165 years ago (as at  2014).

The artist attributed to this drawing is Robert Vernon who was born in 1774.  A self-made man, he became a London contractor and businessman and was also known as a patron of art and a fellow of the Society of Antiquaries. It was during the period from 1820-1847 that Vernon collected about 200 pictures by living British and European artists.

On 22 December 1847 , he presented a selection of 157 pictures from his collection to the nation. This collection has rotated over the years through Marlborough House; South Kensington Museum and the National Gallery in Trafalgar Square (which was later divided between the National and Tate Galleries)

Vernon died at his house in Pall Mall, London on 22 May 1849, and was buried at Ardington, Berkshire.

  • As for Pavlov’s conditioned reflex studies on his dogs – may his dogs be remembered for their unconditional love for humankind regardless of the unconditional processes they were put through.

For further examples of Cover Art see this page.

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Venus Was Her Name

botticelli - birth of venusThis year’s Chelsea Flower Show in West London has a large clam shell where a model has been posing in it, representing Botticelli’s masterpiece “The Birth of Venus” aka “Nascita di Venere”.   ‘Botticelli‘ was a nickname which he was given and originated from the insignia on the overhanging shop sign of  his father’s tannery business. The insignia was a “little barrel” aka “Botticelli“.

Born c.1445 in Florence’s Via Nuova, Borg’Ognissanti; Alessandro di Mariano,  (Botticelli) was also known as signing his pictures asSandro di Marino’. He is considered one of the most famous Italian painters of the Early Renaissance School and of  “The Golden Age” of art. He began his studies firstly under the patronage of Lorenzo de’ Medici, and then became apprenticed at the age of fourteen to Fra Filippo Lippi. By 1470, Botticelli had his own workshop.

Above: Venus and Mars

Just over ten years later, in 1481, Pope Sixtus IV asked Botticelli and other prominent Florentine and Umbrian artists to fresco the walls of the Sistine Chapel.  Botticelli’s contribution included the Temptations of Christ, the Punishment of the Rebels and the Trial of Moses. However, it was his later accomplishments which have received greatest recognition; these being the masterpieces:

  • Primavera (c. 1482); painted for Lorenzo the Magnificent’s villa near Volterra in Florence; and
  • The Birth of Venus (c. 1485) commissioned by someone else for a different site, and is currently located in the Uffizi Gallery  in Florence.
  • Botticelli never wed and was not keen on  marriage, which he described as “a prospect that gave him nightmares”. According to Wikipedia, one view is that he suffered from an unrequited love for Simonetta Vespucci, a married noblewoman, who was his model for “The Birth of Venus” and recurs throughout some of his paintings, despite the fact that she had died almost 10 years earlier, in 1476. Needless to say, it has been acknowledged that Botticelli requested upon his death that he be buried at her feet in the Church of Ognissanti in Florence, which occurred on his death on May 17, 1510.

“I’m Your Venus,
I’m Your Fire,
I’m Your Desire”

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Compare the pair #11 – The New Wave of Street Art

hanabishiI saw this modern day replica of Katsushika Hokusai’s ‘Kangawa-oki Namiura’ or Raging Billows off Kanagawa at the rear of Melbourne’s famous Japanese Hanabishi Restaurant which has been owned by Akio Soga since 1988.  The depiction of the tsunami wave, with the deep blue and contrasting white foam in the waves accentuates a menacing beauty. Meanwhile, the serene Mount Fuji in the background reflects the beneficence of nature, which the Japanese venerate as deeply as they fear the anger of the nature’s more violent moods of the Tsunami.

About the artist: Born in 1760, Katsushika Hokusai was a Japanese ukiyo-e (wood-block print) artist from the Edo period. At the age of 12, he was sent by his father to work in a bookshop and lending library, where reading books were made from wood-cut blocks. Two years later, he became an apprentice to a wood-carver, whom he worked for until the age of 18. He was later accepted into the studio of artist, Katsukawa Shunshō.

katsushika hokusai the great wave of kanangawaUpon the death of Shunshō in 1793, Hokusai began exploring other styles of art, including European styles. It was during this time that he became focused on landscapes and images of the daily life of Japanese people from a variety of social levels. This change of subject was a breakthrough in ukiyo-e and in Hokusai’s career. This work is part of his ‘Thirty-Six Views of Mount Fuji’  (aka Fugaku Sanjūroku-kei?) which includes the internationally recognized great wave off Kanagawa.May10 celebrates the 165th anniversary of his death in 1849.

So, in comparison with the original and the street art copy, there is a lot of similarity as well as some irregularity, which reminds me of another local Melbournian phrase I have learned “Not drowning, waving  which has nothing to do with the nature of this painting, but has everything to do with the name of a pub band  formed in 1983 which I would prefer to reverse: ‘Not waving’ (and hopefully not…drowning).

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I don’t suppose she’s reading about ‘Old Deuteronomy’?

charles haigh-woodEnglish-born landscape and portrait artist, Charles Haigh-Wood, was born 160 years ago, on 9 May 1854 in Bury, Lancashire.  As a child he attended Bury Grammar School,  before graduating in 1870, at the age of 16, to the Manchester School of Art where he was awarded a Bronze Medal.  After this, he went to the Royal Academy of Arts where, during his time, displayed forty-two works of art.

In 1880, Charles presented his first one-man exhibition held at the Athenaeum and featured a portrait of Mayor John Heap, founder of the Bury Times. Several other works went to Manchester City Art Gallery and Liverpool’s Walker Gallery. An  exhibition of Haigh-Wood’s work was held in 1909, at the Bury Art Gallery (since renamed the Bury Art Museum).  Most of the items were on loan from their owners who included the Sheriff of London, Raphael Tuck publishers, and the Dewar Family of the Dewar’s distillery fame.

  • Less than 20 years later, Charles Haigh-Wood died in Hastings on 25 March, 1927 and was buried in Eastbourne’s Ocklynge Cemetery.

As an interesting aside, in 1915, twelve years before he died,  Charles became the father-in-law of renowned essayist, publisher and playwright, T. S. Eliot (Old Possum’s Book of Practical Cats), through the marriage of his only daughter, Vivienne (born 28 May, 1888).  As a young married couple they lived in a flat which they shared with philosopher, Bertrand Russell. Theirs was a stormy marriage, where Vivienne ended up having an affair with Russell This became major fodder for Brian Gilbert’s 1994  film  ‘Tom & Viv‘ which featured the tempestuous relationship and triangular love-affair. Eliot left Vivienne in 1932 and six years later she became an involuntary patient in Northumberland House Sanatorium, Finsbury Park where she died in 1947, at the age of 58. Another interesting fact about Vivienne stems back to her childhood, when she became ill and was sent to hospital and was operated on by Doctor Frederick Treves, who later became physician to the Royal family and also helped John Merrick, ‘The Elephant Man’.

  • Considering these amazing stories about Charles’ daughter Vivienne, I wonder…

…Is the subject of this oil on canvas painting (featured above) which is entitled: “The Picture Book” (1893)  really a portraiture of a young Vivienne aged 4-5 years, reading a  story to her “dollie”?…  and if this is the case, then it won’t be“The Song of the Jellicles”, or “Old Deuteronomy” from theOld Possum’s Book of Practical Cats.”

-Meow, meow

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A pantheon of street art? – you be the judge

Wayne TindallThere was a newspaper article back in early August, 2013 which focused on “Urban Legends and Street Art“. In this case it referred to a lane running along the back streets of Chapel Street in Windsor.

At the time the local Mayor referred to this area as “one of the premier street-art precincts in Australia.” The reality was that some owners of some local real estate abutting the lane were sick and tired of the lowbrow tagging on their real estate and along with one of the other local businesses, a bakery and a branch of the Bendigo Bank they allowed it to become a street art initiative.

One of the business operators, Wayne Tindall, claims it operates like a huge open gallery space. Tindall, an artist and film maker; and his wife Anne, have been renting a studio in the tagged lane way for some years.  He said … “I decided I didn’t want to walkout every day and have to look at this shit. Anne suggested I should do a painting to do it up“. The first piece to appear on the walls was this one of he and his wife.

baker boysThe bakery boys opted for a group photo homage.  Much of the rest was completed by a loose collective of street artists. As an overseer to the project, Tindall said that trying to keep some of the street artists focused on selected work was a little like ‘herding cats’.

As recognition of its endeavors this area is now known as “Artists Lane”.

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May the cones of silence grant you your wish

incense conesLarge spiral cones hanging from Asian  temple ceilings are actually incense cones (aka joss sticks). Apart from the smokiness and heady aroma, these over-hanging cones inside Taoist Temples take a long time to burn. The Chinese word ‘Joss’ means ‘God’ and the term is also derived from the Latin ‘Deus,’ which was introduced to the area via Portuguese influence, who used the same word to depict the meaning of  ‘God’.

The often pungent and heady incense burned, is a compound of aromatic biotic materials that release fragrant smoke when lit, using aromatic plant materials and fragrant essential oils.

These cones (pictured above) hang inside the Taoist ‘Man Mo Temple‘ on Hollywood Road in the Wan Chai area of Hong Kong.   This temple was featured in the wonderful vintage 1960 movie “The World of Suzie Wong“, which starred Nancy Kwan and William Holden. The plot was inspired by the original novel (1957) which was authored by Richard Mason.

Please put either of these versions on your bucket list (movie, book or temple location) – regardless of whether you decide to read it, see it or live it. As Suzie Wong would ensure “For Goodness sake“.

For further examples of Asian influenced art see my Oriental Art page.

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Dickie Lewis – the statue ‘so exceedingly bare’

Liverpool resurgent‘Liverpool Resurgent’ is the name of this statue by Sir Jacob Epstein, born in New York on 10th November 1880 and died 19th August 1959. This statue used to sit over the entrance of the former Lewis’ department store in Liverpool.

Liverpool’s Lewis’ Department Store was the flagship of a chain which operated from 1856-1991. Other Lewis’ stores could be found in Manchester, Henley, Leeds, Oxford, Blackpool, Bristol, Birmingham, London, Bolton, Newcastle, Thurrock, Glasgow, Leicester, Sheffield, Weston Favell and Ellesmere Port.  The chain was sold in 2007 to Veigo Retail and finally closed on May 29th, 2010.

  • Upon unveiling in 1956, ‘this fine naked gent’ has been given various nicknames  by the local ‘Scousers (Liverpudlians). Such as:”Dickie Lewis.

Another accolade appeared in Peter McGovern’s song “In my Liverpool home” (1962) where in part of the lyrics it states:

  • “We speak with an accent exceedingly rare.
    Meet under a statue exceedingly bare.”

I’m pretty sure I know how to find you…and where!

For similar examples of public sculpture,  see my Sculpture and Street Furniture page.

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El Greco? – It’s all Greek to me!

el grecoIt is 500 years since El Greco, the Greek-born Spanish Renaissance artist and sculptor, originally named Doménikos Theotokópoulos, was born in Crete in 1541.  A keen artist, he travelled to Venice at the age of 26 years.  He then studied in Italy developing techniques in the elements of ‘Mannerism’ and ‘Venetian Renaissance’ art.

Often considered a precursor of both ‘Expressionism’ and ‘Cubism’, El Greco’s work was a source of inspiration to Rainer Maria Rilke and Nikos Kazantzakis. His initial training began as an icon painter of the Cretan school, the leading centre of post-Byzantine art.  By 1577, he moved to Toledo, Spain, where he lived and worked until his death in Toledo on 7th April 1614.  The following statement by himself states it all:

I hold the imitation of color to be the greatest difficulty of art.

El Greco – “I give this my stamp of approval”.

For further examples of artists – see my Gallery Artist page.

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Source: Spanish painting by Jacques Lassaigne. Skira Geneva, 1952
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A record turnout that will leave you in a spin

decorated LPsToday is World Record Dayan international celebration of the culture of the independently owned record store and vinyl. It is celebrated annually on the third Saturday of April. Founded in 2007 it has gained momentum around the world. According to its official website, there are three categories of special release made available on this day.

  • Exclusive Releasesonly available at participating stores. Will not be available anywhere else in the same format.
  • Limited Run/Regional Focus Releases also only available at participating stores, but may not be distributed nationally, or the quantities of these titles are Extremely limited.
  • First Release –  titles that you can find at participating stores. So if you’re a fan of the artist, you get first listen prior to general distribution to the public.

The resurgence of vinyl-loving music aficionados reminds me of another once-great annual event which was celebrated in Melbourne, at the former Gaslight Records – Nude Day.

Gaslight was one of Melbourne’s oldest independent music retailers, situated up in Bourke Street, in the heart of Melbourne’s CBD.  Each summer, its annual  in-store Nude Day event would go off ‘without a stitch’. The theme was simple. Leave your clothes at the door and shop for your favourite artists for a bare,  stripped-down totally awesome discount. It was the cheapest way to obtain your totally independent bare-necessities for your ears!

Apart from the aural pleasure, for some vinyl collectors there was the visual euphoria of the record cover and/or the excitement of seeing the ‘picture disc’ which had a transfer of the cover, the theme or the artist pressed onto the actual vinyl disc. These are now considered vinyl collector’s items.

This brings me to my ‘art’ side of LP vinyl records and what I have seen lately from local ‘pavement artists’.  I understand art.  I understand music.  I understand the Collector’s Limited Edition picture vinyl discs, but I don’t quite see the value of the pavement street vendor who sells vinyl discs which they have painted and decorated (even if it has a depiction of a particular recording artist) – you cannot play it, so you frame it on a wall – but you can also do this with other forms of art.

  • To me, it’s simple, isn’t it? Records are for playing and pictures are for hanging, right? And I do understand the wonderful artwork which is created for record covers. That is why I have created a Cover Art page which caters for their wonderful graphic imagery. Then again, maybe these are the new generation of recording artists?

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Will Coles continue providing woolly balaclavas?

Will Coles Will Coles (a UK born, Sydney-based street artist, born 1972), creates street art installations and his current theme focuses around the so called “art terrorista.”  His recent works have included using a knitted balaclava on a flat facial mold set in a street art scenario. The balaclava masks (see example, above); which adorn various public walls; demonstrate the “banks” and “stockbrokers” profits  he objects to, and portrays them as a ‘wanted target’.  Coles’ street installation depictions are based on his belief that Capitalism has let us down and that we need to crack down on the Capitalists which include bankers and stockbrokers.

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The naïvety of the green voice

victor magyarViktor Magyar was born  on April 1, 1934 in Metlika, Yugoslavia. As a child he spent hours drawing and working in clay. He decided early that he wanted to be an artist and attended the Ljubljana Academy of Fine Arts for a single semester.  After that, he became a school-teacher. In 1961, whilst teaching in a little town called Crna, he became friends with Gerhard Ledic a roving reporter for the Zagreb newspaper Vjesnik and an authority on the Hlebine School of Yugoslav naïve artists.

His talent was quickly recognized and he began to spend more time on his painting. He held his first exhibition in Strajne in 1961. Since then he as held many one-man and collective shows in Trieste, Dusseldorf, Paris, Milan, Frankfurt, London, Philadelphia, New York, St. Moritz, Washington, DC; Melbourne, Chicago etc.

  • Depicted above is “The Green Voice II,” (1970).

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Source: Bassin, Aleksander. Viktor Magyar (Yugoslav Naive Art) Control Data Arts, Minneapolis, Minnesota, 1982
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Does this make Stonehenge part of Constable country?

stonehenge - John ConstableHere we have John Constable’sStonehenge“, a watercolour over black chalk squared for transfer.  Constable, an English Romantic painter was born in East Bergholt, Suffolk, on 11 June 1776, to Golding and Ann (Watts) Constable. His father was a wealthy corn merchant, owner of Flatford Mill in East Bergholt and, later, Dedham Mill in Essex. Golding Constable owned a small ship, The Telegraph, which he moored at Mistley on the Stour estuary and used to transport corn to London. Constable worked in the corn business after leaving school, but his younger brother Abraham eventually took over the running of the mills.  John Constable is revered for his landscape paintings of Dedham Vale, the area surrounding his home, now known as “Constable Country.” His most famous paintings include Dedham Vale (1802) and The Hay Wain  (1821).

He died on the night of the 31st March, 1837 from heart failure, and was buried with his wife Maria in the graveyard of St John-at-Hampstead.

  • Stonehenge, on the other hand, being Constable’s artwork depicted here, is a prehistoric monument in Wiltshire, approx. 8 miles north of Salisbury. It is one of the most famous sites in the world, as well as being in the middle of some of the most dense complex of Neolithic and Bronze Age monuments in England.  Archaeologists have attempted to date the site and have surmised that its origin is somewhere between 3000-2000 BC. Stonehenge and its surroundings were added to the UNESCO’s list of World Heritage Sites in 1986.

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Keep cool Diamond Dogs rule – OK

guy peellaert“This ain’t rock ‘n’ roll, this is genocide”. Belgian artist, painter, illustrator, comic artist and photographer, Guy Peellaert born in Brussels, Belgium on 6th April, 1934.  Guy was born into an aristocratic family, but left home at the age of 14. He studied Fine Arts in Brussels and became heavily influenced by Both American and British pop culture, film noir and pulp literature, before making his debut as a decorator for theaters and comic strip artist.

His style was influenced by both Psychedelic Art and Pop Art. He moved to Paris, where he worked in advertising, set design and the Crazy Horse nightclub. His comic strip, Les Aventures de Jodelle, was published in 1966 in the controversial French magazine Hara-Kiri. Jodelle, was modelled after singer Sylvie Vartan. His second comic strip heroine, Pravda, made her debut in 1968 and was modelled after singer Françoise Hardy. In 1973, he collaborated with British rock journalist Nik Cohn on the best-selling book Rock Dreams, which reportedly sold a million copies after it was published the following year. Many of the original artworks were bought by actor Jack Nicholson.   After the success of Rock Dreams, Peellaert became perhaps best known for his rock album covers. He designed covers for The Rolling Stones (It’s Only Rock ‘n’ Roll), David Bowie (Diamond Dogs), Étienne Daho (Pour nos vies martiennes), Lio (Wandatta), and others.

It was the original painting used as the cover for Bowie’s 1974  album Diamond Dogs that caused some concern. The Mullet-haired Bowie original depicted him as a half-human half-dog character which showed the hybrid’s genitalia. Very few copies of this original cover made their way into circulation at the time of the album’s release, thus these have become among the most expensive and sought after record collectibles. Of course the offending genitalia was quickly airbrushed out for the 1974 LP’s gatefold sleeve. Peellaert also designed film posters for films like Taxi Driver (by Martin Scorsese), Short Cuts (by Robert Altman), L’argent (by Robert Bresson), Paris, Texas and Wings of Desire (by Wim Wenders). He also designed programme titles for television shows on the French TV channel Antenne 2 in 1982. He died in Paris from cancer on 17 November, 2008 aged 74.

  • Beware of the Diamond Dogs! Will they come?

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Trust but in whom take care

William NicklessInset is from “The true story of the Amazing adventure of Philip Ashton of his capture by pirates and of his escape” which is one of the illustrations by William Nickless  for the Daily Mail Boys Annual.

 William Nickless began his career as an artist working for an agency at the age of 18, having left school at 14. He joined the staff of Motor magazine in 1920, producing technical drawings and, later, general figure work. He left to become a freelance artist, illustrating books and occasionally writing them himself. His work has been described as “very detailed . . . his pen and ink work looks like engraving.”

William Nickless was born in Brentwood, Essex, on 4 April 1902, the son of William Thomas Nickless and his wife Ada Caroline (née Bayliss), who married in London in 1899. He was the second eldest of five children and grew up in north St. Pancras, where his father worked as a builder’s clerk. Although interested in drawing from an early age, he followed his father’s wishes and first worked at an engineering factory in Acton; however, he kept up his drawing and eventually found work as an artist at Gameges department store, where he drew illustrations for their mail order catalogues. He then joined Temple Press, working on their magazines The Motor, Aeroplane, Motor Cycling and Commercial Motor. Nickless went freelance in 1940, working for various magazines, including the Radio Times, and advertising agencies. He also set up his own press, printing limited editions of his poetry and a series of anti-war etchings which were reproduced in New Leader in 1939.

During the war years he developed an interest in music and took up the violin, which led him to making several himself. His other hobbies included making model engines and astronomy, for which he used a reflecting telescope he had constructed himself.
After the Second World War, Nickless became a popular illustrator for children’s books and annuals (including Eagle and Swift annuals). Between the 1940s and 1970s he illustrated the Worzel Gummidge books of Barbara Euphan Todd and classics by John Buchan (The Thirty-Nine Steps), Thomas Hughes (Tom Brown’s Schoolday’s) Jonathan Swift (Gulliver’s Travels). H. Rider Haggard (Allan Quatermain, King Solomon’s Mines, Ayesha, She, Nada the Lily) and George Macdonald (The Princess and the Goblin), as well as contemporary adventure and historical adventure novels for both boys and girls, school stories and fairly tales.

As a writer, Nickless  penned a series of books about anthropomorphised animals, beginning with Owlglass in 1964; these are said to have been inspired by his living at Heathfield House, a Victorian house hidden within the Wealden Forest. Nickless lived in Rotherfield, Sussex, for many years where he died in early 1977, aged 74.

  • The Nickless family motto is “Trust but in whom take care.”

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