To quaff from the trough is well good enough

bills troughThis is a Bill’s Trough which is also known as – a Bill’s Horse Trough.  These watering troughs were built for working horses who helped us during the first half of the 20th C.  In recognition and respect for the fine work these workhorses did,  philanthropic animal lover George Bills, along with his wife Annis (nee Swann), set up a trust fund to build these drinking troughs.. Their  philanthropy helped build  700  troughs around Australia as well as providing over 50 further troughs in other countries.

George Bills was a life governor of the Royal Society for the Protection of Cruelty to Animals (RSPCA) which commenced in 1924. It was mostly in Victoria and NSW around 1930-1939 that these troughs were built out of pre-caste concrete with cured pediment. To help identification the trough’s transcription  reads: “Donated by Annis and George Bills Australia”.

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When Frank’n’Stein met the ‘Armless Men’

  1. Frankenstein (Mary Shelley)
  2. A Farewell to Arms (Ernest Hemingway) – notice how the gingerbread men are totally ‘armless’?’

Must admit, I have just come back from attending a wonderful annual event. Not only does April 1 represent ‘April Fool’s Day‘ but it also marks the return of the ‘International Edible Book Festival‘ which is now in its 14th year.  A number of  countries from around the world enter and register their event at www.books2eat.com.

The rules are pretty simple. Find a title or theme of a book (fiction/non-fiction) and create a simile, replica, depiction that you think best represents that book. The requirements for judging are that it should be: edible or represent food as well as books at he same time. Category winners are put to the popular vote by attendees.  Based on the most popular votes in various categories, winners are awarded prizes or recognition. At the conclusion of the event, the items proffered for the competition are deconstructed, devoured and enjoyed by all attendees at the event.

  • The origin of the event is attributed to the French gastronome Jean-Anthelme Brillet-Savarin who wrote a witty meditation on food, “Eat Your Words”; one April Fool’s Day.

The above are two of my favorites from the night:

Bon appétit! I have other examples in my Edible Art page. 

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Heads you win!

jean-cocteau - eagle has two headsThis is the front cover of the theatre program – “The Eagle Has Two Heads” ( French: “L’Aigle à Deux Têtes”) by Jean Cocteau. Not only did he illustrate the front cover of this, he was also the playwright.  The play was first staged in 1946 and caused endless discussion in Paris, London and New York.  In Australia, The Adelaide Theatre Group was the first to present this on March 30, 1949, at the Adelaide Tivoli Theatre.  Cocteau directed the film of the same title in 1948.

Cocteau’s inspiration was taken from separate stories of Ludwig II of Bavaria (who was found drowned in Lake Stamberg in circumstances which have never been satisfactorily explained); and of the Empress Elisabeth of Austria (who was stabbed in the heart by an assassin while out walking in Geneva).

This is a play in three acts (is there any other kind?)

  • Act 1 takes place in the Queen’s bedroom: (Evening)
  • Act 2 is set in the castle library (Next morning)
  • Act 3 is again in the library (Following morning)

Synopsis: It’s the 10th anniversary of the King’s assassination, and at night, Stanislas; a young wounded anarchist poet; wishing to assassinate his widowed Queen; enters her room in Castle Krantz. Haunted by his likeness to her dead husband, she shelters him instead of handing him over to the police; seeing him as the welcome embodiment of her own death, and names him Azraël (the Angel of Death). Despite the opposition of this union by the Court politicians, represented by the Comte de Foëhn, the chief of police, and Édith de Berg, the Queen’s companion, she and Stanislas defy the odds and fall in love. Of course it wouldn’t be great theatre if there were not a great tragedy which befalls them; and becomes something that the world will never truly understand.

But telling you the ending would ruin this tragic tale and you will simply have to find out more from somewhere else, if you want to know why the “eagle has two-heads”. From my point of view, don’t lose your head over this – let’s flip a coin!

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Do you agree My Son is naïve?

ivan rabuzinBy definition, naïve painters lack the formal artistic training to be defined as artist, but that doesn’t mean their work isn’t art. For example, I am show-casing the work of naïve artist, Ivan Rabuzin, who was born on March 27, 1921 in the village of Kljuc in Croatia. Ivan’s father was a miner and his mother; a peasant farmer and together they struggled to feed their 12 children.  To help his family out, Ivan left home for the bright lights and promise of Zagreb, in 1937, where he was apprenticed to a carpenter and later became a master joiner. It was here that he became interested in the world of art.

By 1956, at the age of 35, Ivan began to paint. Although it took him 10 years to do so, he held his first one-man show in Novi Marof. Over his career, he held further exhibitions in Zagreb, Paris, Milan and Oslo.

Not only an artist, Ivan was also interested in politics and became an active member of the Croatian Democratic Union and from 1993 to 1999 he was also a member of the Croatian Parliament (in the second and third assemblies). Sadly his life came to an end, and he died in a hospital in Zagreb, Croatia on 18 December 2008

  • The work showcased above is entitled: My Son (1927) by Ivan Rabuzin.

Look for other artists in my Artists A-Z page. -Živjeli (Cheers!)

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Source: Sedej, Ivan. Ivan Rabuzin (Yugoslav Naive Art) Control Data Arts, Minneapolis, Minnesota, 1982
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It appears that Pinkie may not have been so perky

thomas lawrence - pinkieThe first time I ever came across “Pinkie” was when I was about 10 or 11. At the time, we were ‘right into’ swap cards. I had swapped one card and received this in place. Knowing that it was an ‘historic painting’ at the time, I was intrigued to know more. With the wind circulating around her and her ethereal stance beckoned my imagination. To top it off, the contrasting pink hues from the  ribbons billowing from her dress and headdress, contrasted with the background stormy-looking back-lit sky which added to its wonder. In latter years I realised that this was actually a replica of one of the 18th Century ‘great masters’.

Today: “Pinkie” – the painting is 220 years old. Painted in 1794 by the artist Thomas Lawrence, it is now part of the Huntington Collection at San Marino, California where it hangs opposite Thomas Gainsborough’s, “The Blue Boy”. But who was Pinkie and why is she referred to as that?

It appears that “Pinkie” was a family nickname for Sarah Goodin Barrett Moulton, who was born on 22 March 1783, in Little River, St. James’s, Jamaica. She was the only daughter and eldest child of Charles Moulton, a merchant from Madeira, having been  a descendant of Hersey Barrett, who traveled to Jamaica in 1655 with Sir William Penn. The Barrett’s were wealthy landowners, slave owners, and exporters of sugar-cane and rum. By the age of nine or ten, Sarah and two of her younger siblings had left Jamaica and were studying in Greenwich, England. Sarah was sent to Mrs Fenwick’s school at Flint House, Greenwich, along with other children from Jamaican colonial families. Although not really known how or why; somewhere around 1793, Sarah began sitting for the artist Tom Lawrence;, painter-in-ordinary to George III, at his studio in Old Bond Street, London.  At the time she was around the age of 11. The portrait was completed in 1794.

  • Sadly, only one year later, on 23 April 1795, Sarah died at Greenwich, at the tender age of 12.
  • Poignantly, her portrait was unveiled at the exhibition at the Royal Academy in 1795, which opened the day after her burial.

Clearly no longer “Pinkie”, she was also far from being “Perky”.  – How eerie is that?

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Compare the Pair #10

Hippolyte Flandrin street art“Sometimes I sit and think… and sometimes I just sit,” is a bastardization of an old proverb or saying that escapes my recall for the moment, however; I use this to describe this street art piece.  This has to be one of my favorite street art pieces. I came across this by accident whilst lane-way spotting some years ago. On first glimpse I was dumb-struck by its beauty. The visual impact of discovery along with the aural quietude of this lane-way location was electrifying. I stood there for some time alone and in awe. Then I began to wonder, “How is it, that one can be in the center of a large and bustling city and at the same time be in a dark, cool, lane-way where, if one dropped the proverbial ‘pin on the ground’ it would most definitely be heard?”

I first came across this perhaps three years ago, and it still runs; although tagged over in part. Its beauty and magnificence is so spectacular, that I feel it is almost better than the original version which is on display in The Louvre, in Paris.

Hippolyte FlandrinThe original work “Young Male Nude Seated Beside the Sea” (1836),  is by the French artist Hippolyte Flandrin –  (born 23 March 1809 – and died 21 March 1864). In more recent years, the photographer Robert Mapplethorpe (amongst many), has also paid homage to this work. This particular version of Flandrin’s work (see left), is “reversed” and is featured on the front cover of the Wordsworth Classic Erotica novel: “Teleny: or the Reverse of the Medal,”  from (1883) by Anon. (Although often attributed to having been written by Oscar Wilde). The original version of this tale had a limited publication span of 200 copies.

However, referring back to the street art version, – regardless of its artistic value and interest; and the want of a better name, I name it: “Young Male Nude Seated Beside the Thinking Wall.”

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An Orchid Garden magazine – well fantasy that!

Der Orchideengarten (‘The Orchids-garden’) subtitled Phantastische Blatter or (‘Fantastic Pages’) was a short-run German magazine which was published from January, 1919 until November, 1921.  Published by Dreiländerverlag; each of its 51 issues contained 24 pages, printed on rough book paper. Its editor was World War I news correspondent and freelance writer Karl Hans Strobland Alfons von Czibulka.

Founded four years before the American magazine ‘Weird Tales’ (March 1923+); Der Orchideengarten is considered to be the first ‘fantasy’ genre magazine as well as forming part of the ‘supernatural-horror’ genre.  Each issue included a wide selection of new and reprinted stories by both German and foreign language writers including: Voltaire,  Guy de Maupassant, Théophile Gautier, Victor Hugo, Villiers de l’Isle-Adam, Charles Dickens, Pushkin, Edgar Allan Poe, Washington Irving, Nathaniel Hawthorne and H. G. Wells, to name but few.

But it wasn’t just about the stories. The magazine’s many illustrations included reproductions of medieval woodcuts and pictures by artists and illustrators such as:

  • Gustave Dore and Tony Johannot,
  • Rolf von Hoerschelmann (1885–1947),
  • Otto Linnekogel (1892–1981),
  • Karl Ritter (1888-?),
  • Heinrich Kley,
  • Alfred Kubin,
  • Eric Godal (1899–1969),
  • Carl Rabus, (1898–1982)
  • Otto Nückel;  and
  • Max Schenke (1891–1957).

What “phantastische blatter” they must have been.

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No one is playing ‘second fiddle’ to Nicholas Chevalier

It may have been 112 years ago since the artist Nicholas Chevalier died in London on 15 March, 1902, but the love of his work continues to admire and aspire many. Born in St. Petersburg, Russia on 9 May, 1828, he became an early ‘citizen of the world’ living, studying, working and visiting Lausanne, Munich, London, Rome, Melbourne, New Zealand, Tahiti, Hawaii, Japan, China, Ceylon (Sri Lanka) and India.

nicholas chevalier

From 1851, he worked variously as  an illustrator in lithography and water-colour; exhibited at the Royal Academy in London, and in August 1855 obtained work as a cartoonist on the newly established Melbourne Punch magazine. Later he did illustrative work for the Illustrated Australian News and also worked in chromo-lithography.

In 1864, when the National Gallery of Victoria was founded, an exhibition of works by Victorian artists was held. The government agreed to buy the best picture exhibited for £200. Chevalier’s oil painting The Buffalo Ranges was selected, and was the first picture painted in Australia to be included in the Melbourne collection.

In 1869 he joined the H.M.S. Galatea as an artist for the Duke of Edinburgh, on the voyage to the East and back to London. It was on the Galatea that another hidden talent emerged. It would appear that Chevalier became the  second violinist for the Royal Amateur Orchestral Society, which had been started by the sea-faring Officers.

If it is the artwork, more than the ‘string-work’ you would like to explore, then I will no longer ‘string you along’ and allow you to consider viewing examples of Chevalier’s artwork in various galleries around the world including the;

  • Museum of New Zealand = Te Papa Tongarewa (Wellington)
  • Dunedin Public Art Gallery (New Zealand),
  • Honolulu Museum of Art (Hawaii),
  • National Gallery of Victoria (Australia),
  • Ballarat Fine Art Gallery, (Victoria, Australia)
  • Art Gallery of New South Wales (Australia); and the
  • National Library of Australia (Canberra).

The image featured above is entitled “South Sea Beauty” provided courtesy of the Bridgman Art Library, London. For further examples of artists covered here, see my A-Z Artist page.

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What a great mantle-piece

jean patouThe fashion plate featured here is one of Jean Patou’s “mantles” as advertised in the “Art Gout Beaute” fashion magazine ca. 1922  Art-Gout-Beaute (aka “Art, Good Taste and Beauty“) ran from the 1920s-1930s.  Considered more “vogue than Vogue,” this expensive monthly glossy magazine contained “luxurious illustrations and tipped-in colour plates” which depicted the absolute “must-have’s” of the day by the very best designers such as  Molyneux, Patou, Lanvin, etc.

Jean Patou, was a formidable and famous French fashion designer and the inventor of knitted swimwear, the tennis skirt and the first designer to popularize the cardigan. He was born in Normandy on 19th August 1880.  From humble beginnings in 1912, when he opened a small salon called “Maison Parry”,  he became an international success as a  couturier and later in perfumery. He died way too soon in life on 8th March, 1936.  For further information see my earlier post on Patou as perfumier and in particular of a great fragrance which was my grandmother’s favourite – Câline.

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Get the pitcher?

Here we have “The Broken Pitcher,” by Jean-Baptiste Greuze who died almost 200 years ago on 4 March 1805. A French painter, he  was born at Tournus, Burgundy on 21 August 1725.  Recognised for his early artistic ability, he became initially a pupil of an artist from Lyon, and then from the Royal Academy in Paris. His work was slow to appreciate, but by 1755, the sculptor, Pigalle (and you thought it was just the name of a famous Metro station in Paris) liked his exhibited piece. It took Greuze eight years before he reached a successful reputation and as testament to his art, many examples of his works are part of the Louvre Gallery (Paris) collection.

  • The Broken Pitcher often appeals to many with warmth and great verve.  Some interpreters have suggested that the girl’s apparent regret over the broken pitcher on her arm represents the sorrow and disgrace over the apparent loss  of her virginity. Metaphorically, the pitcher represents the female sexual organs and the disheveled dress and exposure of her left breast symbolizes the loss. Apparently this painting was originally owned by Madame du Barry, the mistress of France’s King Louis XV.

Like it, or loathe it, it’s also up to you to decide whether you think  this is “pitcher perfect” –  or not.

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Oojah think you are?

uncle-oojah“What’s all this Oojah?” Ever heard people refer to elephants as “Oojah’s?” or when someone is perplexed ask “What’s this Oojah?” then it might be a throw-back to the 1920s  comic strip character from the “Daily Sketch Newspaper” who later became published in children’s book annuals. The first “Oojah” comic strip was published on 18 February 1919.  Oojah,  or as  he was later known as ‘Uncle Oojah’, was an elephant and the main character who lived in Oojahland.

The inventor of “Uncle Oojah” was a children’s book illustrator known as Thomas Maybank. His real name was Hector Thomas Maybank Webb; who was born on the leap year date of 29 February, 1869 in Beckenham, Kent.  After Maybank died on 27 March 1929, the Uncle Oojah’s children’s annuals continued under the illustrative artwork of JHL, who was later identified as Henry Matthew Talintyre. He continued illustrating the annuals until the early 1950s. For further examples of Illustrative art, see my page.

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Go Mango!

big-mangoOK everyone, apparently we can all relax. “The Big Mango of Bowen” which disappeared overnight has been found. The ‘spotted’ fruit was found at the back of the Bowen Tourist Information Office. A little off-kilter and more horizontal than vertical, the “Big Mango” is safe and sound – and there is no suggestion of a ransom! According to a News.com.au article published earlier today, the disappearance was part of a publicity stunt set up by the fast-food chicken outlet Nando’s who have said that more about this stunt will be revealed this Friday – can hardly wait!

For those of you who are interested in knowing more about this ‘monument’, the “Big Mango” stands on the Bruce Highway in northern Queensland not far from Australia’s mango producing capital of Bowen. Built as a tourist attraction in 2002, it weighs 10 tonnes and stands 3-storey’s high. I apologize if there is some blurriness in my image, but at the time, on holiday a couple of years ago I wanted to stop to take a photo, but my despondent driver had other ideas and lead-footed the hire-car to get past it as quickly as we could.

Regardless of whether you like this sort of work, there are numerous local and international tourists who have included this and other “Big Things” on their Australian bucket list. The “Big Things” is a term which loosely encompasses and interprets what is basically a  large collection of over 150 large-scale  sculptures or structures, which are most often found on the major highways around Australia.  Others to check out on your road-trip include:

  • The Big Prawn; the Dog on the Tuckerbox; the Big Banana; the Big Pineapple; the Trout; the Giant Murray Cod; The Big Guitar; the Big Penguin; get the big picture?
  • I have previously presented two of these “Big Items” under my category of “Questionable Art” – sub-category “The Bad“. They are funny; they are kitsch –  but nevertheless, kids love them. As for the rest of us, you will no doubt decide to either, “love ’em, or leave ’em”; and as far as I am concerned – “it’s a biggy” – “I wish to stay neutral, so I opt to sit on the big paling fence“!

That reminds me of an old Dr. Seuss riddle – “What time is it when an elephant sits on your fence”? …”time to get a new fence”.

Another “Big joke”… Hey ho!

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What wonders you will discover, if you go “Through the Magic Gate”

jiri trnkaCzech illustrative artist, Jiří Trnka  was born 102 years ago on 24 February 1912 in Plzeň. Originally interested in puppet-making, he became a student of Josef Skupa at the School of Applied Arts in Prague (Academy of Architecture, Art and Design) where he completed his apprenticeship between 1929 and 1935. In later life, he became a motion-picture animator and film director. His movies,  aimed at adult audiences, were adaptations from literary works. At one time he was referred to as the “Walt Disney of Eastern Europe.

He was best known as an illustrator of children’s books.  He was hired by the Prague publishing house Melantrich. Throughout his life, he illustrated over 130 works of literature, mostly for children. Many of these included  illustrations for:

  • Mr. Boska The Tiger of Vítezslaw Šmejc”, (1937).
  • The Tales of the Brothers Grimm, as well as collections of folktales from Czech authors such as:
  • Jirí Horák and Jan Pálenícek,
  • Bajaja by Vladimír Holan, (1955),
  • The Tales of Andersen and Perrault,
  • The fables of La Fontaine,
  • The Thousand and One Nights“,
  • Several works of Shakespeare; and
  • Lewis Caroll’s, “Alice in Wonderland”.

In honor of his career as a children’s illustrator, the International Board on Books for Young People awarded him its biennial Hans Christian Andersen Award for Illustration in 1968. He died the following year on 30 December, 1969 in Prague.

Trnka wrote and illustrated his own children’s books. One of these was one of my childhood favorites, “Through the Magic Gate” (1962). Images above are from this wonderful story.  The following is from the blurb, inside the dust jacket:

“On their way to school five boys find a magic gate set in a high wall made of stone. The gate was heavy and covered with rust with a lock and handle too high to reach. They tried so hard, with so many items to try and open the gate but to no avail. Then it magically opened in to a strange garden. The garden was full of enchantment and surprises.”

If that doesn’t make you want to investigate more, you do not need to go “Through the Magic Gate!”

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Proof That Love Steez Forever

SteezThis week we came across an incredibly sad sight that has affected us all week. Finding ourselves an ingredient short of a great recipe idea at dinnertime, we made a quick visit to the local supermarket. Parking the car in the underground car-park, I took the lift up to the next floor, to the entrance of the supermarket. My other half, as driver, had opted to stay in the car-park whilst I dashed off to get the missing ingredient. Whilst sitting in the car, he could see a lonely pigeon standing near an empty car-park spot closest to one of the concrete walls. It was barely moving, as if standing vigil. I went up to have a closer look and to my horror, realised the pigeon was indeed standing vigil next to the squashed remains of another pigeon; all blood, guts and feathers. Quite clearly the pigeon was aware of it’s mate’s demise and was seemingly overcome with devotion and understanding that it needed to stand-by.

Two days later, we went back to the same supermarket carpark and found the pigeon was still standing sentinel at the same spot, as if it had not moved in over 48 hours. To us it has proved that it is not only humans who mate for life, but many other birds and animals, and if they can show true feeling for their mate and/or love-loss, it shows we are not alone and that these feelings are only natural.

  • In relation to acknowledging the dignity for the pigeon’s respect, I am using the above photo of a stencil of a pigeon by street /stencil artist known as Steez. I do not know much about Steez, however, maybe “Steez” is used as a shortened form for “style with ease?” and if this is so, the stencil of this pigeon is –  “all Steez”.

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Woman Carrying Faggots

Mihály Munkácsy was born 170 years ago on 20 February 1844. Munkácsy was an Hungarian painter who lived in Paris and earned international acclaim with his genre pictures and large scale Biblical paintings. Mihály began his life as an orphan but completed it as one of Europe’s premier painters. His story is a true rags-to-riches tale. Originally, a carpenter’s apprentice; he went on to win international recognition, own mansions in Paris, marry a Baroness and hold grand parties that were reported in glowing detail in the press.

Mihaly Munkacsy

Adopted by a family of intellectuals, he was encouraged to pursue his artistic career. He studied for a while with an unknown provincial painter and made brief forays into various academies in Venice and Munich. He decided that he preferred to teach himself and set up a studio in Paris. By the age of 26, Munkácsy had won the Medaille D’Or from the Salon de Paris for his painting – “The Condemned Cell” and was well on his way to fame and fortune. His style is similar to that of old masters such as Rubens, Rembrandt, Velasquez and Turner. Refusing to acknowledge the Impressionists and scorning the avant-garde art movement which was becoming popular, he chose instead to devote himself to realistic landscapes, romantic candlelit genre paintings and sensitive religious works. He completed over 600 paintings including numerous large canvases.

Shortly after joining in on the festivities commemorating the millennium of the Hungarian conquest, Munkácsy became gravely ill. Around 1897 he entered a sanatorium and immediately underwent treatment. For almost three years he lived as an invalid in a hospital near Baden-Baden. On May 1, 1900 he died at the hospital in Endenich. He was later laid to rest in Budapest.

  • The above image is “Woman Carrying Faggots” (aka Reisigtragende Frau), oil on wood (1873) held by the Hungarian National Gallery, Budapest (Budapest, Ungarische Nationalgalerie).

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  • Source: Mihaly Munkacsy, Control Data Arts: St Paul, Minnesota, 1981
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