The Gown of Cobweb Lace

Australian “Fairy Artist“, Peg Maltby was born Agnes “aka Peg” Newberry Orchard on January 17, 1899.  She married George Bradley Maltby on September17, 1917 and the pair migrated to Australia from the UK in 1924. Whilst living in the Melbourne suburb of Coburg during The Great Depression, Peg provided extra income by painting commercial items like chocolate box lids and birthday cards.

She became a member of the Victorian Artists’ Society and had some successful exhibitions of her fairy paintings. Her greatest success was the publication of her children’s book “Peg’s Fairy Book” in 1946, which sold over 100,000 copies.  Overall she produced over 40 children’s books during her career. She died in 1984. These two items are from “Peg’s Fairy Book” – ‘The Gown of Cobweb Lace’ and ‘The Brave Water Rat’.

Website | About | Facebook | Twitter

“Is It Art?”

Source: Maltby, Peg. Peg’s Fairy Book.Grosser, Moorabbin.
Posted in Illustrations, Watercolours | Tagged , , , , , | Leave a comment

“Bring out your dead”

You know when Christmas is over – that’s when you see the dead or dying Christmas trees, discarded from the family home and thrown onto the suburban nature or communal strip. By this stage they have gone brown, the needles are dropping off and the stench of dead or dying pine needles can even affect the non-hay fever sufferers to blow their noses and pat down the tears in their eyes.

Seriously folk! what are you thinking (if you are thinking) when you toss these out onto the street? Do you think they will suddenly disappear from your kerbside without you having to pay any money? No. The Christmas elves that helped Santa deliver your presents and help you out with your other Christmas preparations, sadly disappear after the day, and it is up to you to dispose of your smelly festering pine-needle mess. It is not a case of ‘bring out your dead,” a well-known phrase from Monty Python’s “Life of Brian“, based on a phrase supposedly hailed in 14th Century Europe during the Black Plague; complete with bell.

I understand that the ‘pine tree’ is an alternative to the ‘plastic tree’, but the plastic one can be recycled year after year, after year, etc. whereas the ‘green’ alternative requires renewable forests to grow, etc. I don’t care which version you prefer, but if you have a formerly live version which is rotting on your strip, ring up the council and get them to take it away or hire a trailer and take it to the local tip or dump waste area. Don’t leave it for someone else!

  • Enough said. BTW our family Christmas tree when I was growing up was based on driftwood collected from the beach – perhaps seen as another form of sustainability in a throw-away society.

This post has opened a new category of art – Rubbish Art.  For further examples see my Rubbish Art page.

Website | About | Facebook | Twitter

“Is It Art?”

Posted in QuestionableArt | Tagged , , | Leave a comment

Fair winds and following seas

arnold bocklinArnold Böcklin was a Swiss symbolist painter who was born on 16th  October 1827 .  His father, Christian Frederick Böcklin (b. 1802), was descended from an old family of Schaffhausen, and engaged in the silk trade. His mother, Ursula Lippe, was a native from the same city.  Arnold studied at the Düsseldorf Academy under Schirmer, who saw his immense potential and sent him to Antwerp and Brussels. It was here that he learned to copy the works of Flemish and Dutch masters. Arnold Böcklin later went to Paris and worked at the Louvre, and was known for his landscapes.

  • He died on 16th January, 1901.Painting is entitled: Meerestille (aka Calm Sea), 1886-87 at the Kunsthistorisches Museum, Vienna, Austria.

Website | About | Facebook | Twitter

“Is It Art?”

Source: Phillpotts, Beatrice. Mermaids. Ballantine, New York. 1980
Posted in Cover Art, Gallery Art, Paintings | Tagged , , , | Leave a comment

l’ll wed with my true love under her mantle so green

First image: “Woman and Child in a Garden” (1884) oil on canvas is part of the National Gallery of Scotland , collection in Edinburgh and second image: Lucie Leon at the Piano

Berthe Morisot was born 173 years ago, on January 14th, 1841. She was an ‘impressionist‘ painter and described by Gustave Geffroy in 1894 as one of “les trois grandes dames” of Impressionism alongside Marie Bracquemond and Mary Cassatt In 1864, she exhibited for the first time at the Salon de Paris –  which became the official, annual exhibition of the Académie des Beaux-Arts in Paris.

Berthe’s work was selected for exhibition in six subsequent Salons until, 1874, when she joined the “Rejected Impressionists;” in the first of their own exhibitions; which included Paul Cézanne, Edgar Degas, Claude Monet, Camille Pissarro, Pierre-Auguste Renoir, and Alfred Sisley. Berthe became the sister-in-law of her friend and colleague, Édouard Manet, when she married his brother, Eugène. Berthe died on March 2nd, 1895.

Website | About | Facebook | Twitter

“Is It Art?”

Posted in Gallery Art, Paintings | Tagged , , , , , | Leave a comment

Centaur and the Urban Angels

Wendy Reiss is a Melbourne ceramic artist, designer, drawer and painter. She gives classes in ceramic sculpture from her home studio in Carrum. She is the artist of two ceramic (mixed media) sculptures at the exterior of the Kingston Arts Centre, and is the concept designer of the new Bass relief mural, ‘Landing of the Longbeach Dreamers’ at Longbeach Place in Chelsea. Featured is one of the two sculptures at the Arts Centre –  ‘Urban Angels‘, from September, 1994. Nearby is Centaur, also by Wendy. (see below).

For more information on Wendy Reiss you can go to the Contemporary Art Society site.

For other examples of sculpture see my Sculpture and Street Furniture page.

Website | About | Facebook | Twitter

“Is It Art?”

Posted in StreetArt | Tagged , , , , , , , | Leave a comment

Still – a Big Friend

Sulamith Wülfing was a German artist and illustrator born in the Elberfeld, in the Rhine Province on January 11, 1901. Her ethereal, enigmatic works depict fairy tales or mystical subjects such as “The Big Friend” pictured here. The illustration reflects this interest in the balance between fragility and power, clarity and illusion.

She first began drawing these creatures at the age of four. The visions continued throughout her life and became the major inspirations for her paintings.  In 1921, she graduated from the Art College,  in Wuppertal and just over 10 years later married Otto Schulze, a professor from the College. Together, they created the publishing house – Sulamith Wülfing Verlag. Many of her paintings and belongings were destroyed during the bombings of WWII.  Wülfing died in 1989 at the age of 88.

  • Fleetwood Mac’s Stevie Nicks credited Wülfing’s art with providing the inspiration for many of her songs, as well as the album cover of The Wild Heart; and a concert video screen displayed Wülfing’s art images during her Gold Dust tour (2005).
  • In 1973 Pete Sinfield, former lyricist of progressive rock band King Crimson, used the painting “Big Friend” on the front cover of his first solo album “Still”. For more of their art see my King Crimson post.

Website | About | Facebook | Twitter

“Is It Art?”

Posted in StreetArt | Tagged , , , , , , , , , , | Leave a comment

A slice of Lavery with a cherry on top

John-LaveryImage is from  detail of “Under the Cherry Tree” by Sir John Lavery, at the  Ulster Museum, Belfast.  Sir John Lavery, a Belfast-born portrait painter was born on 20th  March 1856.  He attended the Haldane Academy (Glasgow) and the Académie Julian (Paris).  He was commissioned to paint the state visit of Queen Victoria to the Glasgow International Exhibition, in 1888.

This launched his career as a society painter and he moved to London and became friends with James McNeill Whistler. He was appointed as an official artist during WWI. however, ill-health prevented him from travelling to the Western Front.  According to Wikipedia, a serious car crash during a Zeppelin bombing raid kept him from fulfilling his role as a war artist. He remained in Britain and mostly painted boats, planes and airships during this period.

Above image: ‘In Morocco‘  c.1913 oil on canvas

Lavery was knighted in 1921. Eight years later, he and his wife returned to their Irish roots and he made substantial donations of his work to both the Ulster Museum (see above) and the Hugh Lane Municipal Gallery.  He died in County Kilkenny, aged 84, from natural causes on 10th January, 1941 and was buried at Putney Vale Cemetery.

So, who’s for a slice of Lavery  – with a cherry on top?

Website | About | Facebook | Twitter

“Is It Art?”

Posted in Gallery Art, Paintings | Tagged , , , , | Leave a comment

Who is Stacia?

hawkwind-staciaA certain cover art illustrator known as Barney Bubbles did a variety of colourful covers of L.P. record albums in the 1970s. In particular, he designed some amazing cover work for the acid-Prog-rock band ‘Hawkwind‘. Here we have the artwork for Hawkwind’s  Space Ritual  live double album fold out sleeve of psychedelic splendour from 1973. It was the band’s fourth album, which reached #9 in the UK album charts.  Barney (born Colin Fulcher, on 30 July 1942), also worked on some album covers for Elvis Costello, Ian Dury & the Blockheads and Billy Bragg.

  • Another ‘informal’ member of Hawkwind was its ‘interpretive’ dancer – Stacia (pictured in the Space Ritual fold out sleeve). So who exactly was Stacia? Born Stacia Blake on 26 December 1952 in Ireland,  Stacia, (now an artist); joined the band c.a. 1971 and was most frequently seen around the ‘Space Ritual‘ years of live performances.
  • There are some varied stories as to how she became a member of Hawkwind’s live shows. One version told by the band’s Nik Turner was printed in Mojo Magazine, where he recalls… “I met Stacia for the first time at the Isle of Wight…  She said, “Can I dance with you?” and I said, “Yeah, but you must take off all your clothes and paint your body.” She took all her clothes off but unfortunately I didn’t have any body paint. That was like her audition“.

Crazy audition!  |  Great concerts  |  Humongous band  |  Great artwork Barney!

For further examples of Cover Art, see my Cover Art page.

Website | About | Facebook | Twitter

“Is It Art?”

Posted in Collectibles, Cover Art, Illustrations | Tagged , , , , , , , , | Leave a comment

Adoration of the Magi

mattia-pretiThe Adoration of the Magi by Mattia Preti is part of the Walker Art Gallery collection in Liverpool. Preti was born 400 years ago on 24th February, 1613, in the Calabrian town of Taverna. An Italian Baroque artist, he painted in a style similar to Caravaggio. Preti was also known as Il Cavalier Calabrese (Knight of Calabria).

During his lifetime, he travelled through Naples where he met Luca Giordano, who was a great influence to him. By this time Preti was known for his fresco paintings. Two of Preti’s sketches are part of the Neopolitan Capodimonte Museum. The latter part of his life he spent in Malta and attained the distinct honour of acquiring the Order of St. John’s Knight of Grace. He died on 3rd January, 1699 at the age of 86.

See more artists listed on my A-Z Artists page.

Website | About | Facebook | Twitter

“Is It Art?”

Posted in Paintings | Tagged , , , | Leave a comment

Helleu! have you seen the “starry, starry night?”

alice helleuPaul César Helleu was born in Vannes, Brittany, France on 17 December 1859. According to Wikipedia, he was a French oil painter, pastel artist, dry-point etcher and designer, best known for his numerous portraits of beautiful society women of the Belle Époque era. Helleu attended the Second Impressionist Exhibition in 1876, the same year he was admitted to the École des Beaux-Arts, at the tender age of 16;  and made his first acquaintances with John Singer Sargent, James Whistler, and Claude Monet.

Helleu was commissioned to paint a portrait of a young woman named Alice Guérin in 1884. (see above). They fell in love, and married two years later, on 28 July 1886. Throughout their lives together, she was his favourite model.  In 1885 , Helleu visited Whistler in London, who introduced him to French-born society painter James Jacques Tissot. Tissot was using dry-point etching with a diamond point stylus directly onto copper plate. Helleu quickly became a virtuoso of this technique and produced more than 2,000 dry-point prints.

In 1904, Helleu was awarded the Légion d’honneur and became one of the most celebrated artists of the Edwardian era in both Paris and London. He was an honorary member in important beaux-arts societies, including the International Society of Painters, Sculptors, and Engravers, headed by Auguste Rodin, and the Société Nationale des Beaux-Arts.

  • Well connected, Helleu went on to meet Marcel Proust, who also became a friend. Proust created a literary picture of Helleu in his novel Remembrance of Things Past as the painter ‘Elstir’.
  • He took up sailing, owning four yachts over his life. Ships, harbor views, life at port in Deauville and women in their fashionable seaside attire, became subjects for many vivid and spirited works. (ooh-la-la!).
  • On his second trip to the USA in 1912, Helleu was awarded the commission to design the ceiling decoration in New York City’s Grand Central Terminal. He decided on a mural of a blue-green night sky covered by the starry signs of the zodiac that cross the Milky Way. (starry, starry night).
  • Although the astrological design was widely admired, the ceiling was covered in the 1930s. (oh no!)
  • More than sixty years later, in 1998, it was completely restored and millions of visitors and passengers at the station still marvel at Helleu’s ceiling mural today. (hooray!)
  • He made his last trip to New York City in 1920 for an exhibition of his work, but he realized that the Belle Époque era was over. He felt out of touch, and shortly after his return to France, he destroyed nearly all of his copper plates, retiring to family life.
  • While planning for a new exhibition with Jean-Louis Forain, he died of peritonitis following surgery in Paris, on 23 March 1927 at the age 67.
  • Among many of Helleu’s friends was Coco Chanel, who picked beige as her signature colour upon his advice, because it resembled the color of the sand on the beach of Biarritz in the early morning.
  • Both his son Jean Helleu and his grandson Jacques Helleu became artistic directors for Parfums Chanel (refer to my Chanel post).

Website | About | Facebook | Twitter

“Is It Art?”

Posted in Paintings | Tagged , , , | Leave a comment

Through hardships to the stars

Diefenbach Per aspera ad astraThrough hardships to the stars“, “A rough road leads to the stars” or “To the stars through difficulties“. These three sayings are translations of the Latin phrase: “Per Aspera ad Astra”. This is also the title of a painting by Karl Wilhelm Diefenbach, which is held within the Stadtmuseum, Hadamar  collection.

Karl Wilhelm Diefenbach  was born on February 21, 1851, in Hadamar, in the Duchy of Nassau. Karl was a German painter, social reformer, and a pioneer of nudism and the peace movement. His ideas included life in harmony with nature and rejection of monogamy, turning away from any religion (although he was a follower of theosophy). Like George Bernard Shaw, he was a vegetarian.  After running a commune in Vienna for many years he moved to Capri, Italy where he lived until his death (100 years ago) on December 15, 1913.  Since 1974, there is a museum of his works in Certosa di San Giacomo on Capri.

  • The phrase, “Per Aspera ad Astra” is reputed to be said by the actor Rip Torn  to David Bowie in the film, “The Man Who Fell to Earth.”
  • It is also inscribed on a plaque in remembrance of the astronauts of Apollo 1 at the launch site where they perished.

I dedicate the following translation of Per Aspera ad Astra – “To the stars through difficulties” to our dear family friend Claire who recently and unexpectedly left us. RIP.

Website | About | Facebook | Twitter

“Is It Art?”

Posted in Gallery Art, Paintings | Tagged , , , , , , | Leave a comment

If colour is the keyboard – Kandinsky can-do

Wassily Kandinsky was born in Moscow, the son of a tea merchant, on 16th December, in 1866 and died 69 years ago, on the 13th of December in 1944.  He became an influential Russian artist after spending his childhood in Odessa.  According to Wikipedia,  “Later in life, he would recall being fascinated and stimulated by colour as a child”. He described his experiences on entering iconic buildings and seeing immense shimmering colour and light which appeared to him like entering a vividly coloured piece of artwork. Initially, he was a fond follower of folk art, especially with his use of bright colours on a dark background. Later on, he began to liken painting to composing music in the manner for which he would become noted, stating:

Colour is the keyboard, the eyes are the hammers, the soul is the piano with many strings. The artist is the hand which plays, touching one key or another, to cause vibrations in the soul.

The picture featured above is entitled: “Painting with Three Splashes” (1914)  from the Guggenheim Museum, in New York. The range of colours used by Kandinsky becomes its pivotal feature. The seemingly endless tones of red, orange, green and purplish-blue can be seen all over the canvas and alternate to form a concentric ribbon of colour. Ultimately interpretation is in the eye of the beholder, and to me, it looks like an astonishing palette with the three main patches of colour standing out. If you are a visual receptor like myself, you might see, the shape of a face in the main part of the work; and separately up towards the top right quadrant, something that looks  a little bit like a set of teeth inside an open mouth – a bit reminiscent of an early Rolling Stones lubra-lips and mouth design. For more information on that, see my earlier post on the legacy of John Pasche.

Website | About | Facebook | Twitter

“Is It Art?”

Source: Kedzieski, Roberta. Kandinsky. Park Lane: London, 1993
Posted in Gallery Art, Paintings | Tagged , , , | Leave a comment

This is ‘Alec Speaking’…on behalf of John Lennon

john-lennon8th December is the anniversary of John Lennon’s untimely death.  It was around 10:50 pm on the 8th December 1980, as John Lennon and his wife Yoko Ono entered the building to their apartment in the Dakota Mansions of New York, that Mark David Chapman shot Lennon in the back. He was rushed to a nearby hospital, but was pronounced dead 17 minutes later on arrival.

John Winston “Ono” Lennon was one of the most famous Liverpudlian singers to have ever-graced this earth. He fronted The Quarrymen, was part of the formidable English band – The Beatles and later, the frontman for the Plastic Ono Band.

Not only was Lennon a great musician, he was also a great artist. He studied at the Liverpool College of Art. According to Wikipedia, in his early years, John was a wag and a bit of a “Teddy Boy”.  As a result, he was excluded from the painting class, then the graphic arts course, and was threatened with expulsion for his behaviour, from the College, where one of his misdemeanour’s apparently included him sitting on a nude model’s lap during a life drawing class. He also apparently failed one of his annual exams, despite the help from fellow student Cynthia Powell, who later became his first wife. Ultimately, John was thrown out of the college before his final year.

Despite this hiccup in his life, Lennon was both a writer and illustrator and in 1964 he published his own volume “John Lennon In His Own Write”. Full of humorous sketches and verse, Lennon produced over 20 nonsense rhymes such as: Alec Speaking

He is putting it lithely when he says,
Quobble in the Grass,
Strab he down his soddieflays
Amo amat amass;
Amonk amink a minibus,
Amarmylaidie Moon,
Amikky mendip multiplus
Amighty midgey spoon.
And so I traddled onward
Careing not a care
Onward, Onward, Onward,
Onward, my friends to  victory and glory for the thirtyninth“.

[The picture is copied from Alec Speaking, from this volume].

Website | About | Facebook | Twitter

“Is It Art?”

Posted in Illustrations | Tagged , , , | Leave a comment

“You touched the distant beaches with tales of brave Ulysses…

Unfortunately we must say vale to Martin Sharp, a  former well-known psychedelic pop artist, who created covers for ’60s bands such as Cream. (See left, his cover for Disraeli Gears).  Martin, was born on 21st January, 1942. His first big show “Art for Mart’s Sake“,  was  at Terry Clune’s gallery in 1965. In 1966 he moved into a Chelsea studio who he shared with photographer Bob Whitaker.

One night in 1967, Martin met Eric Clapton who disclosed he had just written a tune to which Martin replied: “I‘ve just written some lyrics.”..  and these were the beginnings of “The Tales of Ulysses“: 

Her name is Aphrodite and she rides a crimson shell,
And you know you cannot leave her for you touched the distant sands
With tales of brave Ulysses, how his naked ears were tortured
By the sirens sweetly singing.
The tiny purple fishes run laughing through your fingers,
And you want to take her with you to the hard land of the winter”.

Martin – it’s hard to go and even harder  to see people go, so let it go, let it fly…

Website | About | Facebook | Twitter

“Is It Art?”

Posted in Illustrations, nostalgia, OilPainting, Paintings, StreetArt, Watercolours | Tagged , , , , | Leave a comment

An Ambrosian approach to the Balletomane’s Sketchbook

The image is from the Balletomane’s Sketchbook by Kay or Katherine Ambrose. It is entitled “Alexander Wallewski – Maciek is dead, is dead!”. Kay Ambrose was born in Surrey 1914 and died in London on 1st December 1971.

Kay was an author, illustrator, artist and designer. She studied Fine Arts at Reading University (1933-1936) and (1943-1944) specialising in drama, elocution and dance.  Two years after her first qualification in 1936, Kay became the illustrator of Arnold L. Haskell’s book Ballet (1938).  She went on to write and illustrate others  which are said to be collectors items, such as:

  • Ballet – to Poland (1941),
  • Balletomane’s Sketchbook (1941),
  • Ballet-Lover’s Pocket Book (1943),
  • Ballet Impromptu (1943), and;
  • Ballet-Lover’s Companion (1948).

Kay Ambrose travelled with Ram Gopal and his Indian Dance Company as Art Director, Lecturer and Dancer, after which she wrote Classical Dances and Costumes of India (1950).

The following year she went to Canada (1951) and met Celia Franca, founder of the National Ballet of Canada with whom she collaborated on the book Beginners, Please! (1953). Ambrose accepted a position as Artistic Director during the 1951-1952 season. She performed a number of design, promotional and public relations tasks for the Company and nurtured the inexperienced dancers. She then became the Public Relations Officer and later, Artistic Adviser, designing ballets such as Swan Lake, Coppelia, Giselle and The Nutcracker

During her career, Ambrose designed and dressed over 30 ballets during times when budget constraints made it necessary to exercise great imagination with little material – in essence she managed to make the equivalent of “a silk purse, out  of a sow’s ear”.

Website | About | Facebook | Twitter

“Is It Art?”

Posted in Paintings | Tagged , , , , , | Leave a comment